“There was a whole movement that was more about, ‘Enough with politics! Let’s go out and dance a little and enjoy ourselves while we’re still young,’” he says. “In the final stages of the dictatorship, rock had become, naturally and with good reason, a declaration about everything that had happened. But that was at the detriment of entertainment, of being able to have a good time, of freeing oneself a bit.

So that’s what we did and, of course, we were roundly criticized for being too plastic and shallow, et cetera.