Tremblay was thrilled with W-DMX, citing a number of reasons it was so valuable during the project. I ve worked with W-DMX in the past on elaborate shows such as Cirque du Soleil s Delirium and knew it was reliable, he says, Not only is it impossible to run cable when dealing with set ups of this magnitude, but we were under extremely tight time constraints.

We only had eight days from the time the equipment arrived until the actual concert to get almost 600 fixtures up and running and they were scattered over the span of an entire square mile of highly protected land. Even if we had that much cable, it would have taken weeks and made an unsightly mess.